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http://www.4shopper.com/downloads/sticky-mat.pdf
It is a special anti-slide, sticky pad for the car. It cares for your safety and comfort by holding small objects such as cell phones, glasses, MP3 players, pens, flyers etc. from moving or flying all over the place.
The pad is commonly used on vertical / slant surfaces in cars to hold back the cell phones, MP3 players, sun glasses, coins, parking tickets, pens, lipsticks, even the GPS receivers – and much more. You can also immobilise some bigger objects with it, such as drinking glasses, navigation systems, rulers, etc. on horizontal surfaces – also on a boat, an airplane or a train, in camping trailers, at the office or at home.
We can made pvc and sillicon sticky mat with price around 0.38USD. And PU sticky mat price around 0.69USD. If any interest, please feel free to contact us at info@4shopper.com.
The size same as credit card and no wire needs. It is very convenient because it can place inside the wallet. A such small card may use for illumination, design is so funny. The interior has a LED light bulb, when you need to illuminate, you just fold “Light Bulb” up then the light turns on. If put “light Bulb” down, then the light turns off. You can use it anytime and anywhere!!!
Product Features:
>Color White Wireless LED Light
>Credit Card Size
>Fold “LED Light Bulb” up, light turns on
>Can place in Wallets
>Use 3V Battery CR1216 (1 piece included )
>Size: 8.6 x 5.3 x 0.3 cm
Interior Box size: 18×5.5×7.5 cm, QTY50PCs
>Carton size: 54×27.5×22.5cm, QTY1800PCs, Carton Weight: 9KG
>Material: ABS+LED
>100% Brand New
The price is around 1.80USD.
If interest in it or want to buy, please feel free to contact me at info#4shopper.com (please use @ instead of #).
1. Introduction
The Fair, comprehensive in nature, has won its renown of “China’s No.1 Fair” for the longest history, the highest level, the largest scale, the most complete exhibit variety, the biggest buyer attendance, the broadest buyer distribution, the greatest business turnover, and the best credit standing in China.
Forty-eight Trading Delegations, being composed of thousands of China’s best foreign trade corporations (enterprises) with good credibility and sound financial capabilities, take part in the Fair, including foreign trade companies, factories, scientific research institutions, foreign invested enterprises, wholly foreign-owned enterprises, private enterprises, etc.
Besides traditional way of negotiating against samples, the Fair holds Canton Fair online. The Fair leans to export trade, though import business is also done here. Apart from the above-mentioned, various types of business activities such as economic and technical cooperation and exchanges, commodity inspection, insurance, transportation, advertising, consultation, etc. are also carried out in flexible ways. Business people from all over the world are gathering in Guangzhou, exchanging business information and developing friendship.
2. Schedule
Phase 1 (April 15-19, 2010)
Electronics & Household Electrical Appliances
Lighting Equipment
Vehicles & Spare Parts
Machinery
Hardware & Tools
Building Materials
Chemical Products
International Pavilion
Phase 2 (April 23-27, 2010)
Consumer Goods
Gifts
Home Decorations
Phase 3 (May 1- 5, 2010)
Textiles & Garments
Shoes
Office Supplies, Cases & Bags, and Recreation Products
Medicines, Medical Devices and Health Products
Food & Native Produce
Chinese calligraphy is an Oriental art. But what makes it an art?
It is very much like painting. It uses Chinese characters to communicate the spiritual world of the artist. Just as one thousand persons will have as many faces, one thousand persons will have as many differences in handwriting. Through the medium of form, way of handling the brush, presentation, and style, calligraphy as a work of art conveys the moral integrity, character, emotions, esthetic feelings and culture of the artist to readers affecting them by the power of appeal and the joy of beauty.
Calligraphy is not only a practical technique for writing Chinese characters, but also a unique Oriental art of expression and a branch of learning or discipline as well. As a branch of learning it is rich in content, including the evolution of writing styles, development and rules of technique, history of calligraphy, calligraphers and their inheritance in art, and evaluation of calligraphy as a work of art. This branch of learning is wide ranging and deep, forming an important part of Chinese culture.
Like chopsticks, this calligraphy used to be wholly Chinese. As Chinese culture spread to Korea, Japan, Vietnam and Singapore, calligraphy became a unique feature of Oriental art.
A Japanese friend once remarked with pride that Oriental culture has one more art than Western culture, by which he meant that language in the East is not mere symbol, but a lofty art-Oriental calligraphy.
Recently knowledgeable friends in the West have discovered the unique beauty of Chinese calligraphy. They say every character is written like a beautiful flower. Western scholars visiting China develop a keen interest in and love for Chinese calligraphy. They study Chinese characters, and from the construction of the characters .they seek to understand calligraphy. From calligraphy they seek to learn about Oriental culture. There are artists in the West who understand the abstract beauty of Chinese calligraphic art. They believe that Chinese calligraphy is the most ancient and most condensed of abstract arts. They praise this form of Chinese art as having the beauty of image in painting, the beauty of dynamism in dance and the beauty of rhythm in music. Thus abstract art-the ultramodern art of the West-takes cognizance of the most ancient art-calligraphy-of the East, establishing an intimate relationship between the two. Although calligraphy’s home is China, it does not belong exclusively to China. It does not belong exclusively to the East, either. It’s no exaggeration to say that calligraphy is a gem in the world’s art treasury.
With a history of four to five thousand years, the art of calligraphy is rich and profound in content and has attracted the attention of artists the world over. The author of this booklet finds it difficult to treat the subject adequately or well in the limited space available, so he will confine himself to a brief discussion of the method and rules of regular script in Chinese calligraphy.
Book References Guo, Bonan 1995. Gate to Chinese Calligraphy. Beijing: Foreign Languages Press.
Introduction:
Chinese calligraphy (Brush calligraphy) is an art unique to Asian cultures. Shu (calligraphy), Hua (painting), Qin (a string musical instrument), and Qi (a strategic boardgame) are the four basic skills and disciplines of the Chinese literati.
Regarded as the most abstract and sublime form of art in Chinese culture, “Shu Fa” (calligraphy) is often thought to be most revealing of one’s personality. During the imperial era, calligraphy was used as an important criterion for selection of executives to the Imperial court. Unlike other visual art techniques, all calligraphy strokes are permanent and incorrigible, demanding careful planning and confident execution. Such are the skills required for an administrator / executive. While one has to conform to the defined structure of words, the expression can be extremely creative. To exercise humanistic imagination and touch under the faceless laws and regulations is also a virtue well appreciated.
By controlling the concentration of ink, the thickness and adsorptivity of the paper, and the flexibility of the brush, the artist is free to produce an infinite variety of styles and forms. In contrast to western calligraphy, diffusing ink blots and dry brush strokes are viewed as a natural impromptu expression rather than a fault. While western calligraphy often pursue font-like uniformity, homogeneity of characters in one size is only a craft. To the artist, calligraphy is a mental exercise that coordinates the mind and the body to choose the best styling in expressing the content of the passage. It is a most relaxing yet highly disciplined exercise indeed for one’s physical and spiritual well being. Historically, many calligraphy artists were well-known for their longevity.
Brush calligraphy is not only loved and practiced by Chinese. Koreans and Japanese equally adore calligraphy as an important treasure of their heritage. Many Japanese schools still have the tradition of having a student contest of writing big characters during beginning of a new school year. A biannual gathering commemorating the Lanting Xu by Wang Xi Zhi (The most famous Chinese calligrapher in Jin dynasty, ) is said to be held ceremonially in Japan. There is a national award of Wang Xi Zhi prize for the best calligraphy artist. Not too long ago, Korean government officials were required to excel in calligraphy. The office of Okinawa governor still displays a large screen of Chinese calligraphy as a dominating decor.
In the West, Picasso and Matisse are two artists who openly declared the influence by Chinese calligraphy on their works. Picasso once said tht if he was born a Chinese, he would have been a calligraphy artist rather than a painter.
